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Sugar is a 1972 musical with a book by Peter Stone, music by Jule Styne, and lyrics by Bob Merrill. The musical is based on the 1959 film Some Like It Hot , which was adapted by Billy Wilder and I.A.L. Diamond from a story by Robert Thoeren and Michael Logan.
Sugar Babies is a musical revue conceived by Ralph G. Allen and Harry Rigby, with music by Jimmy McHugh, lyrics by Dorothy Fields and Al Dubin and various others. The show is a tribute to the old burlesque era. (The show's name is taken from one of many shows on the old Mutual Burlesque wheel of the Roaring Twenties.)
Sugar Daddy" and the album's title song, "Are You Ready for Love", were also Top 20 Canadian hits that helped Gallant to win Juno Awards for Best Female Vocalist in 1976 and 1977. Although overlooked by radio in the U.S., "From New York to L.A." and "Sugar Daddy" were played in American discos.
My Heart Belongs to Daddy" is a song written by Cole Porter for the musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin , who played Dolly Winslow, the young " protégée " of a rich newspaper publisher, [ 1 ] her sugar daddy .
The production was nominated for six Tony Awards, including Best Musical, and won two: one for Best Actor in a Musical (John Cullum) and the other for Best Book of a Musical. Shenandoah was revived at the Virginia Theatre on Broadway, again with Cullum in the main role, on August 8, 1989, and ended September 2, 1989.
During the early 1970s Clark had chart singles on both sides of the Atlantic with "Melody Man" (1970), "The Song of My Life" (1971), "I Don't Know How To Love Him" (1972), "The Wedding Song (There Is Love)" (1972), and "Loving Arms" (1974). In Canada, "Je Voudrais Qu'il Soit Malheureux" was a major hit. She continued touring during the 1970s ...
Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields and book by Neil Simon. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon alongside John McMartin. It is based on the screenplay for the 1957 Italian film Nights of Cabiria.
The show came back to New York about a year later, during the Depression of 1920–21. The production owed $18,000 and faced strong competition in a Broadway season full of spectacles, such as Sally – a Ziegfeld musical – and another edition of George White's Scandals. It was only able to book a remote theater on West 63rd Street. [2] [3]