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The melody and lyrics of the chorus are derived from the chorus of "Adeste Fideles" (O Come All Ye Faithful). The music historian Salvatore Basile notes: "The song would achieve the near-impossible feat of surviving in the standard holiday repertoire, with important performances, innumerable recordings, and every kind of vocal and instrumental ...
For instance, the second stanza of the Anglican hymn Ye Watchers and Ye Holy Ones is derived from the Eastern Orthodox hymn to the Theotokos. [ 3 ] Some Marian hymns—e.g., the Akathist to the Theotokos —reflect the Mariological approach of their historical period.
"Ye Watchers and Ye Holy Ones", [6] or Vigiles et Sancti in Latin – by Athelstan Riley, in a musical arrangement by Ralph Vaughan Williams, published in The English Hymnal in 1906. [ 13 ] Adapted for the final movement of The Company of Heaven , [ 14 ] a cantata – by Benjamin Britten , composed and published in 1937.
"Ye Watchers and Ye Holy Ones" (Latin: Vigiles et Sancti) is a popular Christian hymn with text by Athelstan Riley, first published in the English Hymnal (1906). It is sung to the German tune Lasst uns erfreuen (1623).
The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which rely exclusively on traditional chants, and disallow instrumental accompaniment. Along with the more classical sacred music of composers ranging from Mozart to Monteverdi , the Catholic Church continued to produce many popular hymns such as Lead, Kindly ...
One set is instrumental only, and is sometimes used as accompaniment in church meetings. In the other set, the hymns are sung by a quartet with piano or organ accompaniment. Many popular singers and instrumentalists, including the Tabernacle Choir at Temple Square , Orchestra at Temple Square and Saints Unified Voices have also recorded ...
"Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley.It is performed to one of several tunes, including "Stuttgart" (attr. to Christian Friedrich Witt), [1] "Hyfrydol" (by Rowland Prichard), [2] and "Cross of Jesus" (by John Stainer).
Thus it is said that “even the sounds of animals and the songs of the birds, fall under one of these modes of St. Yared. [8] They are known as ararai, ezil and geeze. [9] Each of these chants is associated with an aspect of the Holy Trinity. The geeze is associated with the Father, the ararai with the Holy Spirit, and the ezil with the Son. [10]