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The Last Judgment (Italian: Il Giudizio Universale) [1] is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.
Seven days earlier, the pictures were first exhibited together in Newcastle upon Tyne, where they were shown at the Victoria Rooms in Grey Street from 10 February to 4 March 1854 (The Last Judgement had been put on display on its own at Maclean's gallery in London in June 1853). The paintings were accompanied by an explanatory pamphlet, a ...
God the Father on a throne, Westphalia, Germany, late 15th century. In the New Testament, the Throne of God (Ancient Greek: ὁ θρόνος τοῦ θεοῦ, romanized: ho thronos tou Theou) is talked about in several forms, [7] including Heaven as the Throne of God, the Throne of David, the Throne of Glory, the Throne of Grace and many more. [7]
The top of the work depicts Christ on the Throne of Judgement with Heaven opened up across the painting. Behind Christ are the heads of infants which represent creation coming from Jesus. Christ is surrounded by the four Zoas and seven angels that have vials filled with God's wrath. An image of a tabernacle with a cross inside is depicted above ...
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Like most of Fra Angelico's work, the iconography is standard for the contemporary treatments of the Last Judgement. Among the most common subjects of painting in churches, it is found more often on walls. In the top centre of the picture, Christ sits in judgement on a white throne surrounded by angels, Mary, John, and the saints.
The empty throne with cushion, crux gemmata and cloth, flanked by Saints Peter and Paul. Arian Baptistery, Ravenna, early 6th century.. The Hetoimasia, Etimasia (Greek ἑτοιμασία, "preparation"), prepared throne, Preparation of the Throne, ready throne or Throne of the Second Coming is the Christian version of the symbolic subject of the empty throne found in the art of the ancient ...
Traditio legis, or "transmission of the law", Christ as lawgiver, [2] mosaic, Basilica of San Lorenzo, Milan, 4th century, includes a scroll box at Christ's feet.. From the latter part of the fourth century, a still beardless Christ begins to be depicted seated on a throne on a dais, often with his feet on a low stool and usually flanked by Saints Peter and Paul, and in a larger composition ...