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Blu Tack. Blu Tack is a reusable putty -like pressure-sensitive adhesive produced by Bostik, commonly used to attach lightweight objects (such as posters or sheets of paper) to walls, doors or other dry surfaces. Traditionally blue, it is also available in other colours. Generic versions of the product are also available from other manufacturers.
Poster. Police can sometimes put up a poster to let the public know about a criminal. A poster is a large sheet that is placed either on a public space to promote something or on a wall as decoration. [1][2][3] Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text.
In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper -based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass. Putting mats in a frame is called matting, a term ...
View of a frame-maker's workshop, oil on canvas, circa 1900 The elaborate decoration on this frame may be made by adhering molded plaster pieces to the wood base.. A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters ...
James Northfield. James Northfield (1887–1973) was an Australian graphic artist active from the 1910s through to the 1960s. He illustrated many commercial and government advertisements which depict Australian scenery, wildlife and daily life [1] and also demonstrate the priorities of the government of the day. [2][3] Northfield is best known ...
"Beyond the Sermon on the Mount, there are many lessons included throughout the Bible," the lesson states. "Jesus said the Golden Rule sums up all the important teachings from scripture.
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
Olympic posters are closely associated with the place and time of the Games and reflect the social, cultural and sometimes the political context of the host country each time. [1] The Organizing Committee of the host country usually announces an artistic contest for the creation of the posters. Then a special committee decides which entry will ...
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