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The three verses of the song describe in turn, a crowd cheering Jesus Christ's triumphal entry into Jerusalem on Palm Sunday, Jesus's crucifixion on Good Friday, and the eventual "New Jerusalem" (Zion) of universal peace and brotherhood, which is foretold in Isaiah 2:4 [2] and Isaiah 11:6-9. [3]
The New Jerusalem is not limited to eschatology, however. Many Christians view the New Jerusalem as a current reality, that the New Jerusalem is the consummation of the Body of Christ, the Church and that Christians already take part in membership of both the heavenly Jerusalem and the earthly Church in a kind of dual citizenship. [19]
Ye Choirs of New Jerusalem! To sweet new strains attune your theme; The while we keep, from care releas'd, With sober joy our Paschal Feast: When Christ, Who spake the Dragon's doom, Rose, Victor-Lion, from the Tomb: That while with living voice He cries, The dead of other years might rise. Engorg'd in former years, their prey
Within seconds, the entire surface of the park was a mass of dirty, brown, soggy, writhing forms. He was still pleased, Old Michael, and he began whistling a tune this time to accompany himself." Gabriel then briefly whistles the beginning of the hymn Jerusalem. He concludes: "Jerusalem Boogie to us, perhaps.
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This is a list of songs about Jerusalem, including major parts of the city such as individual neighborhoods and sections.Religiously significant to all three Abrahamic religions for centuries, Jerusalem has been artistically associated with widely varied concepts.
Blake's New Jerusalem is an album by Tim Blake, recorded and originally released in 1978 on Barclay. [1] [2] The album was remastered and expanded in 2017, adding three more tracks. The title is a reference to the popular British hymn "Jerusalem", which is based on William Blake's 1804 poem "And did those feet in ancient time".
The New Jerusalem is a work for brass band by the British composer Philip Wilby. It was commissioned by the National Youth Brass Band of Great Britain, and first performed by them at City Hall, Salisbury in April 1990. [1] The work was composed during the collapse of the Eastern Bloc.
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