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Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
John Francis Murphy (December 11, 1853 – January 30, 1921) was an American Irish landscape painter. His style moved from poetic Tonalism to the innovative application of multiple layers of pigment, in order to create a sparse, brooding landscape, later in his career. [1]
Landscape (Landscape with Tree Trunks) 1828 Oil on canvas 66.4 by 81.9 centimetres (26.1 in × 32.2 in) Rhode Island School of Design Museum of Art, Rhode Island [42] The Garden of Eden: 1828 Oil on canvas 38.5 by 52.8 centimetres (15.2 in × 20.8 in) Amon Carter Museum of American Art, Texas [43] View on Lake Winnipiseogee: 1828 Oil on panel
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Alfred Sisley (/ ˈ s ɪ s l i /; French:; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors).
In 1840, along with Asher Durand and John William Casilear, Kensett traveled to Europe to study painting. There he met and traveled with Benjamin Champney. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th-century Dutch landscape painting. Kensett ...
Landscape with the Burial of St Serapia; Landscape with the Fall of Icarus (de Momper) Landscape with the Finding of Moses; Landscape with the Good Samaritan; Landscape with the Port of Santa Marinella; Landscape with the Temptation of Christ; Landscape with the Temptation of St Anthony (Lorrain) Landscape with the Temptation of St Anthony (Savery)
William Dunlap in 1834 said Doughty "has long stood in the first rank as a landscape painter—he was at one time the first and best in the country." Already by 1828, Neal argued that Doughty was focusing too much on the interests of his patrons, having lost sight of the creative impulse: "He has lost a portion of his old strength and solidity ...