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Simeon in the Temple, by Rembrandt van Rijn, 1631. Simeon (Greek: Συμεών) at the Temple is the "just and devout" man of Jerusalem who, according to Luke 2:25–35, met Mary, Joseph, and Jesus as they entered the Temple to fulfill the requirements of the Law of Moses on the 40th day from Jesus' birth, i.e. the presentation of Jesus at the Temple.
Mary Magdalene [a] (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled ...
Medieval interest in genealogy raised claims that Joseph was a relative of Jesus; specifically, Mary's uncle, or according to some genealogies, Joseph's uncle. A genealogy for the family of Joseph of Arimathea and the history of his further adventures in the east provide material for the Estoire del Saint Graal and the Queste del Saint Graal of ...
Simon was a Pharisee mentioned in the Gospel of Luke (Luke 7:36-50) as the host of a meal, who invited Jesus to eat in his house but failed to show him the usual marks of hospitality offered to visitors - a greeting kiss (v. 45), water to wash his feet (v. 44), or oil for his head (v. 46).
The event (or events – see discussion below) is reported in Matthew 26, Mark 14, Luke 7, and John 12. [2] Matthew and Mark are very similar: Matthew 26:6–13. While Jesus was in Bethany in the home of Simon the Leper, a woman came to him with an alabaster jar of very expensive perfume, which she poured on his head as he was reclining at the table.
Gospel of Mary. Nag Hammadi Studies. Vol. XI. Leiden: E J Brill. De Boer, Esther A (2004). The Gospel of Mary: Beyond a Gnostic and a Biblical Mary Magdalene. London: Continuum. ISBN 9780567082640. De Boer, Esther A (2006) [2005]. The Gospel of Mary Listening to the Beloved Disciple. London: Continuum. ISBN 9780826480019. King, Karen L (2003).
The Seven Sorrows of Mary are a popular religious theme and a Catholic devotion. In common imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35.
Simeon in the Temple or Simeons song of praise is an oil on canvas painting by the Dutch artist Rembrandt from c. 1669. It has been in the collections of Nationalmuseum in Stockholm since 1949. [1] According to the Gospel of Luke (2: 25-35), the pious Simeon had been promised by God not to die until he saw the Messiah.