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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The following is a list of paintings by the Dutch and Flemish Renaissance painter and printmaker, Pieter Bruegel the Elder. These Catalog Numbers correspond to the numbering in Roger Hendrik Marijnissen's book, "Bruegel", with photographs by the Swiss art historian, Max Seidel (New York: Harrison House, 1984).
The Beggars or The Cripples is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1568. It is now in the Louvre , in Paris . Its also is the only painting by Bruegel in the Louvre, received as a gift in 1892.
Netherlandish Proverbs (Dutch: Nederlandse Spreekwoorden; also called Flemish Proverbs, The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
The Triumph of Death appears as a background image for the text intro of the second part of the Monty Python sketch The Spanish Inquisition.. Heavy metal band Black Sabbath released a compilation album titles Black Sabbath Greatest Hits in 1977 which used the painting as the front and back covers.
The Hunters in the Snow (Dutch: Jagers in de Sneeuw), also known as The Return of the Hunters, is a 1565 oil-on-wood painting by Pieter Bruegel the Elder.The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year.
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The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1569, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
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