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The Baroque guitar (c. 1600 –1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string. The first (highest pitched) course sometimes used only a single string.
A baroque guitar by Joachim Tielke in the V&A Museum, London, UK. Bell cittern by Joachim Tielke in the V&A Museum, London, UK. Joachim Tielke (14 October 1641 – 19 January 1719) was a German maker of musical instruments. He was born in Königsberg (now Kaliningrad), Duchy of Prussia a fief of Kingdom of Poland, and died in Hamburg.
1 Baroque (17th and 18th centuries) 2 19th century. 3 20th century. 4 Contemporary. 5 See also. 6 References. Toggle the table of contents. List of classical ...
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox.Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes.
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.
Archlute by Matteo Sellas Baroque guitar by Matteo Sellas. Matteo Sellas (sometimes also written Mateo Sellas or in original German Matthäus Seelos) was a German luthier born in 1580 in Füssen who worked in Venice from 1620–1650 [1] and is best known for building lutes, archlutes and baroque guitars.
More elaborate musical ornamentation, as well as changes in musical notation and advances in the way instruments were played also appeared. Baroque music would see an expansion in the size, range and complexity of performance, as well as increasingly complex forms. Main composers for the baroque guitar: Francesco Corbetta (1615–1681)
Significant pieces by Giuliani include his three guitar concertos (op. 30, 36 and 70); a series of six fantasias for guitar solo, op. 119–124, based on airs from Rossini operas and entitled the "Rossiniane"; several sonatas for violin and guitar and flute and guitar; a quintet, op. 65, for strings and guitar; some collections for voice and ...