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Otterness said the subject of the work is "the impossibility of understanding life in New York" [1] and describes the arrangement of the individual pieces as being “scattered in little surprises.” [5] Art critic Olympia Lambert wrote that "the lovable bronze characters installed there are joined together by a common theme of implied ...
The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture depicting a nude male figure of heroic size, seated on a large rock, leaning forward, right elbow placed upon the left thigh, back of the right hand supporting the chin in a posture evocative of deep thought and contemplation.
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
The sculpture is circular with relief of ten naked figures, a child, love couple and the old man, life-size, that crouch and twist their bodies around a well which contains water. Strong facial expressions of the figures show the joy of life which alternated rhythmically makes the life cycle.
It is a kinetic sculpture made from a mobile robotic arm. [1] The idea of using a robot as the main object of focus in Can't Help Myself stemmed from the artists' desires to relinquish their "artistic will" or "artistic genius" and replace it with something mechanical or programmed, alluding to the meaning of the artwork. [8]
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
Tree of Life is an abstract metal sculpture depicting of tree with stylized branches and leaves. It is made of nickel silver and stainless steel, enameled blue and green, and measures approximately 54 feet (16 m) x 5 feet (1.5 m) x 6 inches (0.15 m).
Art historian Tom Flynn has said "through vigorously expressive modelling Henry imbues his figures with a powerful psychological presence, the theme of life and death a constant subtext". [ 2 ] Henry's first solo show was in London in 1988 and he has since gone on to exhibit his work widely in both solo and group exhibitions in the UK, USA ...
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