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Andrade, Mary J. Day of the Dead A Passion for Life – Día de los Muertos Pasión por la Vida. La Oferta Publishing, 2007. ISBN 978-0-9791624-04; Anguiano, Mariana, et al. Las tradiciones de Día de Muertos en México. Mexico City 1987. Brandes, Stanley (1997). "Sugar, Colonialism, and Death: On the Origins of Mexico's Day of the Dead".
An ofrenda (Spanish: "offering") is the offering placed in a home altar during the annual and traditionally Mexican Día de los Muertos celebration. An ofrenda, which may be quite large and elaborate, is usually created by the family members of a person who has died and is intended to welcome the deceased to the altar setting.
Devotees praying to Santa Muerte in Mexico. Santa Muerte can be translated into English as either "Saint Death" or "Holy Death", although R. Andrew Chesnut, Ph.D. in Latin American history and professor of Religious studies, believes that the former is a more accurate translation because it "better reveals" her identity as a folk saint.
El Dia de los Muertos has many names across South America including: El Día de los Difuntos (Day of the Deceased); El Día de los Santos (Day of the Saints); Todos Santos (All Saints); El Día de las Ánimas (Day of the Souls); and El Día de las Ánimas Benditas (Day of the Blessed Souls). A combination of Pre-Columbian and Catholic ...
Pan de muertos and other offerings on an altar de muertos. In this regard, Stanley Brandes, historian and anthropologist of Mexican culture (and in particular of the Day of the Dead), comments: To the question of European vs indigenous origins, there can be no simple resolution until more extensive colonial sources come to light.
Zoilo Cajigas Sotomayor (June 28, 1858 – 1962) was a Puerto Rican santero, a folk artist who makes religious statuettes of saints and biblical figures known as santos. He was known for his piety and adherence to traditional Hispanic folk art methods. Many examples of his work exist in the Museo de los Santos de Palo in San Juan, Puerto Rico.
The Altar of the Kings (Spanish: Altar de los Reyes) was also the work of Jerónimo de Balbás, in Mexican Baroque or Churrigueresque style. [3] Balbás constructed it in cedar from 1718 to 1725. [ 29 ] [ 32 ] It was gilded and finished by Francico Martínez in 1736 and completed in 1737. [ 13 ]
In 1840, Reyes wrote an Auto Sacramental divided into three acts: Adoración a los Santos Reyes Magos, literally translated: Adoration to the Three Magician Kings, so called the Wise Men. In 1841, he opened his pastorela Micol in Tegucigalpa. In 1842, Reyes was nominated in the list of candidates to occupy the Honduras' church diocese.