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A justacorps or justaucorps (/ ˈ ʒ uː s t ə k ɔːr /) [1] is a knee-length coat worn by men in the latter half of the 17th century and throughout the 18th century. It is of French origin, where it had developed from a cape-like garment called a casaque. [2]
The men's long, narrow coats are trimmed with gold braid. c.1730–1740 Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s .
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
These two images provide 1790s views of the development of fashion during the 18th century (click on images for more information): This caricature contrasts 1778 (at right) and 1793 (at left) styles for both men and women, showing the large changes in just 15 years This caricature contrasts the hoop-skirts (and high-heeled shoes) of 1742 with ...
A radical change in the full-dress coat occurred in 1827 when a new pattern was introduced that was very similar to the undress coat of the 1812-1825 pattern. Instead of sloping away from the chest, the tails of the coat were now cut away at the waist (like a modern-day civilian tailcoat) and were ordered to be buttoned up at all times.
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
The Great Male Renunciation (French: Grande Renonciation masculine) is the historical phenomenon at the end of the 18th century in which wealthy Western men stopped using bright colours, elaborate shapes and variety in their dress, which were left to women's clothing. Instead, men concentrated on minute differences of cut, and the quality of ...
A macaroni (formerly spelled maccaroni [1]) was a pejorative term used to describe a fashionable fellow of 18th-century Britain. Stereotypically, men in the macaroni subculture dressed, spoke, and behaved in an unusually epicene and androgynous manner.