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A lekythos (Ancient Greek: λήκυθος; pl.: lekythoi) is a type of ancient Greek vessel used for storing oil, especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types ...
As Gisela Richter puts it, the forms of these vases (by convention the term "vase" has a very broad meaning in the field, covering anything that is a vessel of some sort) find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact ...
mixing vessels, mainly for symposia or male drinking parties, including the krater, and dinos, jugs and cups, several types of kylix also just called cups, kantharos, phiale, skyphos, oinochoe and loutrophoros, vases for oils, perfumes and cosmetics, including the large lekythos, and the small aryballos and alabastron.
The loutrophoros itself is a motif for Greek tombstones, either as a relief (for instance, the lekythos on the Stele of Panaetius) or as a stone vessel. There are many in the funeral area at the Kerameikos in Athens, some of which are now preserved in the National Archaeological Museum of Athens.
A lekythos Gnathia vase depicting an armed and dancing goddess Nike South Italian is a designation for ancient Greek pottery fabricated in Magna Graecia largely during the 4th century BC. The fact that Greek Southern Italy produced its own red-figure pottery as early as the end of the 5th century BC was first established by Adolf Furtwaengler ...
The artist takes his name from his characteristic use of reeds in the landscape, particularly in depictions of Charon, the ferryman of the dead in Greek mythology. [2] A lekythos by the Reed Painter is one of only a few white-figure examples that depict a horseman at a tomb; unusually, the youth sits at the tomb with his horse rather than ...
Attic white-ground lekythos (type I) depicting Heracles fighting Geryon, Antonino Salinas Regional Archaeological Museum, Palermo Spinning woman, Attic oinochoe (type III), probably from Locri, by the Brygos Painter, c. 490 BC. White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white ...
At the same time, the thematic range was reduced, limiting itself to tendrils of vine, ivy or laurel, theatrical masks, and, within the tendrils, male and female heads, doves and swans. The lower half of the vessels was now often ribbed. Apart from oinochoai, skyphos and pelikes, shapes also included bottles, lekythoi, bowls and kantharoi.