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Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, published in 1851, and is by far the most famous of the set. In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons.
The Hungarian Rhapsodies, S.244, R.106 (French: Rhapsodies hongroises, German: Ungarische Rhapsodien, Hungarian: Magyar rapszódiák), are a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and later in 1882 and 1885.
Portions of Liszt's Hungarian Rhapsodies (all except rhapsodies 3, 5 and 17) take their form from the csárdás and contain a friska section. [2] The friska is generally either turbulent or jubilant in tone. The Friska of Hungarian Rhapsody No. 2 is also the most well-known of the Hungarian Rhapsodies.
Small rhapsody No. 2 in C♯ minor for piano, C.F. Kahnt, F.S.S. Hofmusikalienhandlung, Leipzig, 1884 Poëmes hongroise (Hungarian Poems) for piano 4 hands op. 13, Bote & Bock , Berlin, 1887 Fantasy in the form of variations on the Christmas carol Es ist ein Ros entsprungen (Lo, How a Rose E'er Blooming) by Michael Prätorius for piano op. 14 ...
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Measures 5–6 of Liszt's Hungarian Rhapsody No. 2. Tchaikovsky’s piece, “Marche slave”, has a main theme using the Hungarian minor scale. The Pink Panther Theme, originally played in the key of E minor, is noted for its quirky, unusual use of chromaticism which is derived from this scale. [14]
The Opry House is a 1929 Mickey Mouse short animated film released by Celebrity Pictures, as part of the Mickey Mouse film series. [2] It was the fifth Mickey Mouse short to be released, the second of that year. [3] It cast Mickey as the owner of a small theater (or opera house according to the title). Mickey performs a vaudeville show all by ...
Rhapsody No. 2, Sz. 89 and 90, BB 96, is the second of two virtuoso works for violin and piano, subsequently arranged with orchestra accompaniment, written by Béla Bartók. It was composed in 1928 and orchestrated in 1929. The orchestral version was revised in 1935, and the version with piano in 1945.
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