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Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz , rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave , and Afro-Brazilian jazz, which includes samba and bossa nova .
Latin jazz is jazz that employs Latin American rhythms and is generally understood to have a more specific meaning than simply jazz from Latin America. A more precise term might be Afro-Latin jazz , as the jazz subgenre typically employs rhythms that either have a direct analog in Africa or exhibit an African rhythmic influence beyond what is ...
The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s -> Jump blues: 1930s -> Kansas City jazz: Kansas City jazz is a style of jazz that developed in Kansas City, Missouri and the surrounding Kansas City Metropolitan Area during the 1930s 1930s -> Latin jazz: Draws heavily on salsa and merengue ...
Afro-Cuban jazz has been for most of its history a matter of superimposing jazz phrasing over Cuban rhythms. In the 1980s a generation of New York City musicians had come of age playing both salsa dance music and jazz. In 1967 brothers Jerry and Andy González at the ages of 15 and 13 formed a Latin jazz quintet inspired by Cal Tjader's group.
Word of South has a number of outstanding Latin jazz musicians this year, starting with the multi-instrumentalist (18 instruments) Roger Glenn.
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
When one hears triple-pulse rhythms in Latin jazz the percussion is most often replicating the Afro-Cuban rhythm bembé. The standard bell is the key pattern used in bembé and so with compositions based on triple-pulse rhythms, it is the seven-stroke bell, rather than the five-stroke clave that is the most familiar to jazz musicians.
In 1969, the first international organization which attempted to define Latin music was the Festival Mundial de la Canción Latina which included Spanish, Portuguese, French, and Italian-speaking countries across Latin America and Europe. [13] However, the event only lasted for two years.