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"Beyond the Realms of Death" is a power ballad [1] by English heavy metal band Judas Priest from their 1978 album Stained Class. The song is considered a Judas Priest classic by fans and critics, [2] [3] with further recordings included in Priest, Live and Rare, '98 Live Meltdown, Live in London, A Touch of Evil: Live, Live Insurrection and a number of compilation albums.
Stained Class is the only Judas Priest album to feature songwriting by all five members of the band. Newly added drummer Les Binks earned a songwriting credit for "Beyond the Realms of Death", [8] and bassist Ian Hill received his first songwriting credit for co-writing "Invader" with vocalist Rob Halford and lead guitarist Glenn Tipton.
"Beyond the Realms of Death" was pressed with "Rock Forever" and "Hell Bent for Leather" on a special 3 track live EP that came with initial UK pressings of "Unleashed in the East". There is also a 1979 UK cassette version with 12 songs: "Rock Forever", "Hell Bent for Leather" and "Beyond the Realms of Death" in addition to the original 9 tracks.
Epitaph is a live video released by Judas Priest on DVD and Blu-Ray on 28 May 2013. It was filmed at the Hammersmith Apollo on 26 May 2012, which was the last date of the Epitaph World Tour, where they performed songs from each Halford-era album from Rocka Rolla to Nostradamus. [4]
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Judas Priest disavowed the movie after they were denied creative control in the screenplay and script. [17] For example, in Rock Star the band throws out their original singer while on tour and replaces him a few days later; while in real life, Rob Halford was not thrown out, but left Judas Priest, four years before he was replaced.
Painkiller is the twelfth studio album by English heavy metal band Judas Priest, released on 17 September 1990, and 18 September in the United States. [4] It was the last Judas Priest album to feature long-time lead singer Rob Halford until his return for the 2005 album Angel of Retribution and the first to feature drummer Scott Travis.
In the United States, the song peaked at number 10 on the Billboard Top Tracks chart. [4]PopMatters said, "More cynical minds would call this "Living After Midnight Part Two", but it’s actually the superior song, rigidity replaced by a much more relaxed groove, its ebullience a clear reflection of the band’s Ibiza surroundings, where the album was written and recorded.