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The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.
The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end.However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice.
"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G this chord is ...
"Blue Hills of Pasadena" by Plaza Band "Blue Jay Way" by The Beatles "Blue Malibu" by George Shearing "Blue Night on the Strip" by Warren Barker "Bluegrass in Hollywood" by Smiley Monroe & the Golden State Boys "Blues for L.A." by L.A. Carnival "Blues in Torrance" by Buddy Collette Big Band "Boards and Bikinis Rule (Down at Malibu)" by The ...