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Indo-Islamic architecture is the architecture of the Indian subcontinent produced by and for Islamic patrons and purposes. Despite an initial Arab presence in Sindh , the development of Indo-Islamic architecture began in earnest with the establishment of Delhi as the capital of the Ghurid dynasty in 1193. [ 1 ]
The best known style of Indo-Islamic architecture is Mughal architecture, mostly built between about 1560 and 1720. Early Mughal architecture developed from existing Indo-Islamic architecture but also followed the model of Timurid architecture, due in part to the Timurid ancestry of the Mughal dynasty's founder, Babur.
A riwaq (or rivaq, Arabic: رواق riwāq or ruwāq [1]) is an arcade or portico (if in front of entrances) open on at least one side. [2] It is an architectural design element in Islamic architecture and Islamic garden design.
A jali or jaali (jālī, meaning "net") is the term for a perforated stone or latticed screen, usually with an ornamental pattern constructed through the use of calligraphy, geometry or natural patterns. This form of architectural decoration is common in Indo-Islamic architecture and more generally in Indian architecture. [1]
[3] Saracen was a term used in the Middle Ages in Europe for the Arabic-speaking Muslim people of the Middle East and North Africa, and the term "Indo-Saracenic" was first used by the British to describe the earlier Indo-Islamic architecture of the Mughals and their predecessors, [4] and often continued to be
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [3] [2] Three-dimensional muqarnas was often also carved in stucco, [24] [7] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
In addition, Arabic and Persian inscriptions can be found written in various different popular scripts or styles of Islamic Persian Calligraphy, including Kufi, Naskh, Thuluth, Riqa and Nastaliq. [3] The book describes many palaces, forts, tombs and mosques inscribed with Persian Inscriptions.