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Adams was born in the Fillmore District of San Francisco, the only child of Charles Hitchcock Adams and Olive Bray.He was named after his uncle, Ansel Easton. His mother's family came from Baltimore, where his maternal grandfather had a successful freight-hauling business but lost his wealth investing in failed mining and real estate ventures in Nevada. [2]
The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer. [1] Adams described the Zone System as "[...] not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles, around 1939–40."
To create Monolith, Ansel Adams used a very specific and innovative technique to manipulate the photograph to project the image he had in his mind's eye.Adams was aware of the photographic technique photogenia, which is the practice of intentionally manipulating lighting, exposure, and printing to communicate meaning. [3]
An early application of exposure compensation was the Zone System developed by Ansel Adams and Fred Archer. [3] Although the Zone System has sometimes been regarded as complex, the basic concept is quite simple: render dark objects as dark and light objects as light, according to the photographer's visualization.
The image took 5 days to produce, in order to reproduce the tonal range of the scene, which ranges from a bright lamp (relative to the scene) to dark shadow. [3] Ansel Adams elevated dodging and burning to an art form. Many of his famous prints were manipulated in the darkroom with these two techniques.
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A dramatically lit black-and-white photograph depicts a large river, which snakes from the bottom right to the center left of the picture. Dark evergreen trees cover the steep left bank of the river, and lighter deciduous trees cover the right. In the top half of the frame, there is a tall mountain range, dark but clearly covered in snow.
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