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The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture depicting a nude male figure of heroic size, seated on a large rock, leaning forward, right elbow placed upon the left thigh, back of the right hand supporting the chin in a posture evocative of deep thought and contemplation.
S. John Ross was born Sebastian John Ross, in Detroit, US, 24 April 1919.Inspired by an artist that he saw at Michigan State Fair, he trained with the silhouette artist Budd-Jack, travelling around to different fairs for three years.
Thomas Malthus' An Essay on the Principle of Population (1798) was partly written as a response to Condorcet's Sketch, as is evidenced by the first edition's full title: "An Essay on the Principle of Population, as it affects the Future Improvement of Society with remarks on the Speculations of Mr. Godwin, M. Condorcet, and Other Writers".
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
Observations on Man, His Frame, His Duty, and His Expectations is 18th-century British philosopher David Hartley's major work. Published in two parts in 1749 by Samuel Richardson, it puts forth Hartley's principal theories: the doctrine of vibrations and the doctrine of associations. The first part of the text deals with the frame of the human ...
The Infant The Schoolboy The Lover The Seven Ages of Man is a series of paintings by Robert Smirke, derived from the famous monologue beginning all the world's a stage from William Shakespeare's As You Like It, spoken by the melancholy Jaques in Act II Scene VII. The stages referred are: infant, schoolboy, lover, soldier, justice, pantaloon and old age. The set of paintings are in pen and ink ...
It adopts a fictional form, describing a being similar to man regardless of any consideration of his formation and the addition of a rational soul, therefore like a machine. [5] The first part deals with the main functions of this bodily machine : digestion, nutrition, respiration, blood circulation and the formation of animal spirits ...
When the Poet reaches the "obscurest chasm," his last sight is of the moon. As that image fades from the Poet's mind, he has finally attained transcendence to the supernatural world. The journey to the very source of nature led, finally, to an immanence within nature's very structure and to a world free of decay and change.