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The shamisen , also known as sangen or samisen (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian. It is played with a plectrum called a bachi .
The traditional names for the strings are (from thick to thin) uujiru (男絃, "male string"), nakajiru (中絃, "middle string"), and miijiru (女絃, "female string"). The sanshin has five tunings called chindami (ちんだみ): [2] Hon chōshi (本調子) – "standard tuning" (i.e. C 3, F 3, C 4 expressed in terms of International Pitch ...
Kankara sanshin. The kankara (かんから) or kankara sanshin (literally "sanshin from a can") is a Japanese three-stringed folk plucked instrument, initially an improvised derivative of the Okinawan sanshin that was developed in the Ryukyu Islands during the Shōwa period.
In Japanese music, there is a buzzy sound quality that is often preferred called "sawari," and this effect is adjusted by a device often found built into the shamisen, that raises or lowers the 1st string at the nut. A drawback to using a shamisen with a capo in place of a heike shamisen is that it disables the use of an on-board sawari device.
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The gottan (ごったん), also known as the hako shamisen ("box shamisen") or ita shamisen ("board shamisen "), [1] is a traditional Japanese three-stringed plucked instrument, often considered either a relative or derivative of the sanshin, itself a relative of the shamisen.
The instrument that defines Okinawan music is the sanshin (shamisen). It is a three-stringed lute, very similar to the Chinese sanxian and a precursor to the Japanese shamisen. The body is covered in snake skin and it is plucked with a plectrum worn on the index finger.
The taishōgoto (大正琴), or Nagoya harp, is a Japanese stringed musical instrument. The name derives from the Taishō period (1912–1926) when the instrument first appeared. It has also become naturalized in East Africa, often under the name Taishokoto. [1] It is essentially a Keyboard Psalmodikon with multiple strings.