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Slide guitarists are musicians who are well-known for playing guitar with a "slide", a smooth, hard object, held in the fretting hand and placed against the strings to control the pitch. [1] Beginning with guitarists in the American South and Hawaii in early 20th century, [ 2 ] slide guitar styles have developed in a variety of musical settings ...
When the guitar was electrified in the 1930s, it allowed solos on the instrument to be more audible, and thus more prominently featured. In the 1940s, players like Robert Nighthawk and Earl Hooker popularized electric slide guitar; but, unlike their predecessors, they used standard tuning. [12]
Another blues guitar playing style is called "slide guitar", a hybrid between steel guitar and conventional guitar. It is played with a conventional guitar held flat against the body, fretting the bass strings in the usual way (for rhythm accompaniment), while using a tubular slide (or the neck of a bottle) placed on a finger of the same hand ...
Earl Zebedee Hooker (January 15, 1930 – April 21, 1970) [1] was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", [2] he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands.
Willard "Ramblin'" Thomas (1901 or 1902 – 1944 or 1945) [1] [2] was an American country blues singer, guitarist and songwriter. [3] He is best remembered for his slide guitar playing and for several recordings he made in the late 1920s and early 1930s. [4]
However, Hawaiian music featured the guitar as the main melodic instrument, and the volume of acoustic guitars was insufficient for large audiences. Beauchamp, an enthusiast and player of Hawaiian music, mounted a magnetic pickup on his acoustic resonator steel guitar to produce an electrical signal that was electronically amplified to drive a ...
Sam and Kirk made several recordings during the 1930s as a duo, however, most notably "Brown's Ferry Blues," which they recorded in 1934. [1] Sam also claimed to have been the first performer to play an electric guitar on the Opry, for which he was chided by Opry founder George D. Hay, who told him the electric guitar was not "down to Earth."
The popularity throughout the 1920s of Hawaiian music, with its unique slide-style of guitar playing, prompted the invention of the electric guitar in 1931, as a lap steel guitar, the "frying pan", by George Beauchamp. Electric amplification allowed the Hawaiian-style guitar to be heard in performances of larger popular bands.
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