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The view Cole sought to paint was a particularly difficult one, as its panoramic breadth extended beyond the width of typical landscape paintings of the period. [1] To solve this problem, Cole stitched together two separate views from Mt. Holyoke, creating a synthetic, rather than a faithful, image of the scene. [7]
He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, [3] he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural ...
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
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He exhibited at the National Academy from 1839 to 1873 and at the American Art-Union in 1847. He was deeply influenced by the dramatic work of Thomas Cole and painted in a romantic style clearly tied to Cole's sublime aesthetic. He was one of the founders of the Art League of New York. William Bliss Baker: More images: 27 November 1859 20 ...
One of his best-known works, and one of the iconic images of Hudson River School art, is his Storm King on the Hudson (1866), now in the collection of the Smithsonian American Art Museum in Washington, DC. In the 1860s, Colman lived in Irvington, New York, where he made a number of paintings featuring the countryside around the village. [1]
Thomas Cole, c. 1844–1848. Thomas Cole is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century and was concerned with the realistic and detailed portrayal of nature but with a strong influence from Romanticism. [1]