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View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, commonly known as The Oxbow, is a seminal American landscape painting by Thomas Cole, founder of the Hudson River School. The 1836 painting depicts a Romantic panorama of the Connecticut River Valley just after a thunderstorm. It has been interpreted as a confrontation ...
He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, [3] he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural ...
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
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Connecticut River Oxbow from space, 2017 USGS topographic map of the Oxbow. The Oxbow, also known as the Ox-Bow, is an extension of the Connecticut River located in Northampton, Massachusetts. It was famously depicted in Thomas Cole's 1836 painting View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow. [1]
American artist who began painting just as the Hudson River School was winding down. He studied at the National Academy of Design under Bierstadt and de Haas, and maintained studios in Clifton Park, New York, and New York City, where he painted in oils and watercolors. He completed more than 130 paintings, including several works in black and ...
The Course of Empire is a series of five paintings created by the English-born American painter Thomas Cole between 1833 and 1836, and now in the collection of the New-York Historical Society. The series depicts the growth and fall of an imaginary city, situated on the lower end of a river valley, near its meeting with a bay of the sea.