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Faces are essential to expressing emotion, consciously or unconsciously. A frown denotes disapproval; a smile usually means someone is pleased. Being able to read emotion in another's face is "the fundamental basis for empathy and the ability to interpret a person's reactions and predict the probability of ensuing behaviors".
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
The facial skeleton comprises the facial bones that may attach to build a portion of the skull. [1] The remainder of the skull is the neurocranium.. In human anatomy and development, the facial skeleton is sometimes called the membranous viscerocranium, which comprises the mandible and dermatocranial elements that are not part of the braincase.
Older set of terminology shown in Parts of the Human Body: Posterior and Anterior View from the 1933 edition of Sir Henry Morris' Human Anatomy. Many of these terms are medical latin terms that have fallen into disuse. Front: Frons - forehead; Facies - face; Pectus - breast; Latus - flank; Coxa - hip; Genu - knee; Pes - foot; Back: Vertex ...
Gross anatomy has become a key part of visual arts. Basic concepts of how muscles and bones function and deform with movement is key to drawing, painting or animating a human figure. Many books such as "Human Anatomy for Artists: The Elements of Form", are written as a guide to drawing the human body anatomically correctly. [4]
Anatomy of the human head. The human head consists of a fleshy outer portion, which surrounds the bony skull. The brain is enclosed within the skull. There are 22 bones in the human head. The head rests on the neck, and the seven cervical vertebrae support it. The human head typically weighs between 2.3 and 5 kilograms (5.1 and 11.0 lb) Over 98 ...
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The practice allows an artist to draw strenuous or spontaneous poses that cannot be held by the model long enough for an elaborate study and reinforces the importance of movement, action, and direction, which can be overlooked during a long drawing. Thus, an approach is encouraged which notes basic lines of rhythm within the figure.