Search results
Results from the WOW.Com Content Network
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
This treatment of rhythm subsequently became so habitual for Stravinsky that, when he composed his Symphony in C in 1938–40, he found it worth observing that the first movement had no changes of meter at all (though the metrical irregularities in the third movement of the same work were amongst the most extreme in his entire output). [25]
Rhythm Is It! is a 2004 German documentary film directed by Thomas Grube and Enrique Sánchez Lansch.The film documents a project undertaken by conductor Simon Rattle and choreographer Royston Maldoom to stage a performance of Stravinsky's Le Sacre du printemps (The Rite of Spring) with a cast of 250 children recruited from Berlin's public schools.
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter:. A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées. It was presented by Sergei Diaghilev's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux. The list includes many of the most noted ...
ADRIAN — Stravinsky’s first foray into neoclassicism, Mozart’s final symphony, and a folk-based piece by a 20th-century American composer make up the program for the next installment of the ...
The use of asymmetrical rhythms – sometimes called aksak rhythm (the Turkish word for "limping") – also became more common in the 20th century: such metres include quintuple as well as more complex additive metres along the lines of 2+2+3 time, where each bar has two 2-beat units and a 3-beat unit with a stress at the beginning of each unit.
Festival Singers of Toronto; Igor Stravinsky (Slavonic version, May 7–8, 1964 – Toronto) Concerto for Two Pianos. Igor Stravinsky (pn); Soulima Stravinsky (pn) (1938 – Paris; a recording of Mozart's Fugue in C minor, K.426 was made at the same sessions) Jeu de cartes. Berlin Philharmonic; Igor Stravinsky (1938 – Berlin)