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Traditional Turkish Folk Dance. Turkish folk dances are the folk dances of Turkey. Facing three seas, straddling important trade routes, Turkey has a complex, sophisticated culture, reflected in the variety of its dances. The dominant dance forms are types of line dance. There are many different types of folk dances performed in various ways in ...
Balıkesir zeybek dance Extension and distribution of folk dances in today's Turkey. The zeybek is a form of Turkish folk dance particular to Western, Central and southern Anatolia in Turkey. It originates from two ancient Greek dances, the Dionysiac and the Pyrrhic, and it is named after the Zeybeks. [1] In Greece, the dance is known as Zeibekiko.
Turkish folk music (Turkish: Türk Halk Müziği) is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It includes popular music from the Ottoman Empire era.
Some mistakenly believe that Turkish oriental dancing is known as Çiftetelli due to the fact that this style of music has been incorporated into oriental dancing by Greeks, illustrated by the fact that the Greek belly dance is sometimes mistakenly called Tsifteteli.
Halay is the national dance of Turkey and a regional category of folk dance styles in central, southern, eastern, and southeastern regions of the country. It is mainly performed by Turks and Kurds in Turkey. Halay and similar dances are parts of multiple ancient folk dance traditions and cultures throughout the Middle East and regions in ...
"Köçek troupe at a fair" at Sultan Ahmed's 1720 celebration of his son's circumcision. Miniature from the Surname-i Vehbi, Topkapı Palace, Istanbul.. Kaşık Havası (Turkish: Kaşık Havası, lit. spoon tune) or Kaşık Oyunları (Turkish: Kaşık Oyunları, lit. spoon dances; Greek: Χορός κουταλιών) are folk dances mostly spread over the Mediterranean region and have a ...
A longa (Arabic: لونجا) is a Turkish / Eastern European dance, that was later introduced into Arabic music and is often performed at the end of a muwashshah. It generally uses an iqa' equivalent to 2/4, with several sections called khanat (singular khana), each followed by a taslim . The last khana is generally in 3/4.
In Turkish folk music, the zurna joined with the davul to appoint a melodic concomitant to tribal and village folk dance. Today, the zurna is an essential part of Turkish folk music and dance, as well as in Armenian dance, Assyrian folk dance and Kurdish dance. Turkish lore [citation needed] says that Adam, who was