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In the hospital scene, where Shinji stands alone in an empty corridor, contrasts of light and shadow were used, keeping the scene monochromatic, to represent Shinji's inner emptiness. [ 34 ] [ 35 ] Furthermore, the main staff used real brands in "The Beast" scenes to depict a realistic fictional world, [ 36 ] including a Mitsubishi Fuso truck ...
In August 2015, to celebrate the series' 20th anniversary, The End of Evangelion was released in a Blu-ray box set of Neon Genesis Evangelion in HD video. [ 196 ] [ 197 ] In June 2019, in conjunction with the release on Netflix , the Blu-rays were re-released.
A feature film was created as a complementary, alternate ending to the original episodes 25 and 26 and released in three stages: first as a preview (Neon Genesis Evangelion: Death & Rebirth), then as the completed alternate ending (The End of Evangelion), then finally as a theatrical revival combining the two into one presentation (Revival of ...
[citation needed] Some home video releases of Revival from the mid-2000s were given the title Neon Genesis Evangelion: The Feature Film. [5] In 2015, Revival was released on the Japanese Renewal of Evangelion Blu-ray box set along with End and the original theatrical cuts of Death and Rebirth. [2]
In the first scene of the episode, Adam, the first Angel, is first portrayed in the form of a giant of light. [68] [69] Critic Marc MacWilliams noted Evangelion 's Adam is represented as "in Kabbalistic texts before his Fall". [70] Writer Virginie Nebbia linked Adam's appearance during Second Impact with the giant of light from Ultraman 80. [71]
Yahata Shoten's Evangelion Glossary also noted how Shinji is seen with a red pearl resembling an Angel's core in the same scene. [ 146 ] According to the official filmbooks of the series, the two versions of Shinji represent the psychoanalytic concepts of ego and super ego , which Sigmund Freud presented in his work The Ego and the Id .
The Evangelion: 1.0 video game [270] and Evangelion: 1.11 Blu-ray and DVD release [271] [272] were also successful, with Evangelion: 1.11 selling 49,000 copies in its first week, breaking the record previously set by Christopher Nolan's The Dark Knight, making it the single best-selling debuting Blu-Ray in Japanese history. [273]
In their book Anime Classics Zettai!, writers Brian Camp and Julie Davis described the scene in which Shinji and Rei talk on an escalator as an example of the "intricate geometric compositions" in which Neon Genesis Evangelion characters are often placed, praising the composition and the editing of the scenes of the series. [98]