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Harrison's theater department is another original, going back to the day of Harrison's inception. The theater department is categorized by theater performance, with emphasis on acting technique, improvisation, creative writing, and directing. Students also engage in dramatic theory, theater history, and stagecraft. Theater Tech
Robert P. Crease (/ k r iː s /; born 22 October 1953 in Philadelphia, Pennsylvania) is a philosopher and historian of science best known for his work in performance theory and historical research on Brookhaven National Laboratory. He is currently the chairman of the Department of Philosophy at Stony Brook University.
Jon McKenzie is a performance theorist, media maker, and transdisciplinary researcher and teacher at Cornell University.He is founder of the StudioLab pedagogy and former director of DesignLab at the University of Wisconsin-Madison.
Performance studies is an interdisciplinary academic field that teaches the development of performance skills and uses performance as a lens and a tool to study the world. . The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies ...
Performativity is the concept that language can function as a form of social action and have the effect of change. [1] The concept has multiple applications in diverse fields such as anthropology, social and cultural geography, economics, gender studies (social construction of gender), law, linguistics, performance studies, history, management studies and philosophy.
The weapons were brought in by collectors for a Nov. 9 program on Harrison County gunmakers, presented by the Harrison County Historical Society before a standing-room-only crowd. Two of the ...
The theory of performance paradox is grounded in three characteristics of performance measurement. Firstly, there are many performance metrics, and the number continues to grow. [1]: 317 Secondly, most measures of performance, even those that are used most frequently, exhibit little to no correlation with one another.
With The Performance Group Schechner directed many productions including Dionysus in 69 based on Euripides' The Bacchae (1968), Makbeth based on Shakespeare's Macbeth (1969), Commune group devised piece (1970), Sam Shepard's The Tooth of Crime (1972), Bertolt Brecht's Mother Courage and Her Children (1975), David Gaard's The Marilyn Project ...