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The traditional weaving material is muka, fibre prepared from the New Zealand flax (Phormium tenax) by scraping, pounding and washing. The muka fibre was dyed using natural dyes . There has been a resurgence of tāniko and other Māori cultural practices starting in the 1950s and as part of the broader Māori Renaissance .
The enchanted loom is a famous metaphor for the human brain invented by the pioneering neuroscientist Charles S. Sherrington in a passage from his 1942 book Man on his nature, in which he poetically describes his conception of what happens in the cerebral cortex during arousal from sleep:
In general, weaving involves using a loom to interlace two sets of threads at right angles to each other: the warp which runs longitudinally and the weft (older woof) that crosses it. (Weft is an Old English word meaning "that which is woven"; compare leave and left. [a]) One warp thread is called an end and one weft thread is called a pick.
Three heddle-rods for weaving twill. The warp-weighted loom is a simple and ancient form of loom in which the warp yarns hang freely from a bar, which is supported by upright poles which can be placed at a convenient slant against a wall. Bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut. [1]
Drawloom, with drawboy above to control the harnesses, woven as a repeating pattern in an early-18-hundreds piece of Japanese figured silk. A drawloom is for weaving figured cloth. In a drawloom, a "figure harness" is used to control each warp thread separately, [21] allowing very complex patterns. A drawloom requires two operators, the weaver ...
With each weaving operation, the newly constructed fabric must be wound on a cloth beam. This process is called taking up. At the same time, the warp yarns must be let off or released from the warp beams. To become fully automatic, a loom needs a filling stop motion which will brake the loom, if the weft thread breaks.
Excerpt of a shawl talim (1882). Talim (Kashmiri: تعليم, Kashmiri pronunciation: [t̪əːliːm], Urdu: تَعْلِیم, Arabic: تعليم, pronounced ⓘ) in textiles is a symbolic code and system of notation that facilitates the creation of intricate patterns in fabrics, such as shawls and carpets, [1] and the written coded plans that include colour schemes and weaving instructions.
In the terminology of weaving, each warp thread is called a warp end (synonymous terms are fill yarn and filling yarn); a pick is a single weft thread that crosses the warp thread. [ 2 ] [ 3 ] In the 18th century, the Industrial Revolution facilitated the industrialisation of the production of textile fabrics with the "picking stick" [ 4 ] and ...