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In general, weaving involves using a loom to interlace two sets of threads at right angles to each other: the warp which runs longitudinally and the weft (older woof) that crosses it. (Weft is an Old English word meaning "that which is woven"; compare leave and left. [a]) One warp thread is called an end and one weft thread is called a pick.
The enchanted loom is a famous metaphor for the human brain invented by the pioneering neuroscientist Charles S. Sherrington in a passage from his 1942 book Man on his nature, in which he poetically describes his conception of what happens in the cerebral cortex during arousal from sleep:
[21] More provocatively, given weaving's cultural significance within traditional Māori culture and the connection between traditional art practices and Māori sociocultural identity, while presenting some of her more recent work Puketapu-Hetet discusses the need to adopt new practices, e.g., the use of new materials in light of the scarcity ...
Weaving in, or "inlay", is a related but different technique that is used to thread an extra yarn(s) into the fabric without knitting it. The woven yarn(s) need not be the same thickness or color as the knitted yarn, and almost always (but not necessarily) follow the horizontal rows (courses) of knitting.
The selvage (US English) or selvedge (British English) is the term for the self-finished edges of fabric. In woven fabric, selvages are the edges that run parallel to the warp, and are created by the weft thread looping back at the end of each row. The selvage of commercially produced fabrics is often cut away and discarded. [26]
Swivel weaving is a decorative technique that involves producing intricate designs on other weaves, such as a basic plain weave structure [3] or satin. [1] In swivel weaving, the weft yarns are used to create patterns on the fabric. The weft threads are interlaced with the warp threads in a specific order to produce the desired pattern on the ...
Drawloom, with drawboy above to control the harnesses, woven as a repeating pattern in an early-18-hundreds piece of Japanese figured silk. A drawloom is for weaving figured cloth. In a drawloom, a "figure harness" is used to control each warp thread separately, [21] allowing very complex patterns. A drawloom requires two operators, the weaver ...
The traditional weaving material is muka, fibre prepared from the New Zealand flax (Phormium tenax) by scraping, pounding and washing. The muka fibre was dyed using natural dyes . There has been a resurgence of tāniko and other Māori cultural practices starting in the 1950s and as part of the broader Māori Renaissance .