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The aprons are organized by U.S. state, with aprons from Canada and Australia also on display. [1] Similarly to the Museum of Bags and Purses in Amsterdam, the Apron Museum treats its subject as an art form, demonstrating how artists drew their apron patterns out, the period needlework, the stitching and sewing techniques, and how they were ...
Detail from May Day by Kate Greenaway.The child in green wears a smock-frock. Liberty art fabrics advertisement showing a smocked dress, May 1888. It is uncertain whether smock-frocks are "frocks made like smocks" or "smocks made like frocks"—that is, whether the garment evolved from the smock, the shirt or underdress of the medieval period, or from the frock, an overgarment of equally ...
Smocking is an embroidery technique used to gather fabric so that it can stretch. Before elastic, smocking was commonly used in cuffs, bodices, and necklines in garments where buttons were undesirable. Smocking developed in England and has been practised since the Middle Ages and is unusual among embroidery methods in that it was often worn by ...
Aprons of the 1920s mirror the style of the times: loose and long. Often closed with a button and adorned with needlework, many aprons styles emerged during this era and stores began selling patterns and kits to make and adorn aprons at home. [1] Aprons of this period followed the silhouette of dapper fashions—long, with no waist line.
Smocking was used for men's smocks in Nuristan in the Hindu Kush, the black stitching pulling the cloth into vertical bands with zigzag, crisscross and other simple geometric patterns. [20] Tambour work, a rapid form of embroidery using a fine ari hook instead of a needle, was one of the techniques used around Bokhara in Uzbekistan for suzanis ...
The shirt was mostly decorated with embroidery on the sleeves, and also on the neck, bosom, and the cuffs. Other elements of clothing are also embroidered, including scarves, skirts, aprons, men's caps and trousers, sleeveless jackets, kozhukh and kozhushanka (sheepskin coats), sashes, ochipok, etc. In some areas, bed linens were also embroidered.
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Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
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