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Self-portrait in a Velvet Dress is described as: "Kahlo appears half length, wearing an elegant velvet dress, against a background of stylized waves. She presents herself as a comely young woman of the time, her hair neatly parted in the centre and combed into a chignon that highlights her oval face and symmetrical features.
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-portrait, 1699. With the end of the Thirty Years' War , the fashions of the 1650s and early 1660s imitated the new peaceful and more relaxed feeling in Europe. The military boots gave way to shoes, and a mania for baggy breeches, short doublets, and hundreds of yards of ribbon set the style.
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".
Portrait of Louis XVIII is an 1814 portrait painting by the French artist François Gérard depicting Louis XVIII of France in his coronation robes. [1]Louis XVIII was the younger brother of Louis XVI, who had been guillotined during the French Revolution; he spent many years in exile and returned to France from England following the 1814 downfall of Napoleon and the First Restoration.
Self-Portrait (in French: Autoportrait) is the title of a self-portrait painted by the artist Jacques-Louis David in 1794 while in imprisoned at the Hôtel des Fermes for having supported the Robespierreans. It was his third and last self-portrait. He gave the work to his former student Jean-Baptiste Isabey.
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