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Although popular music sometimes is known as "pop music", the two terms are not interchangeable. [7] Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, [8] whereas pop music usually refers to a specific musical genre within popular music. [9]
A definition of music endeavors to give an accurate and concise explanation of music's basic attributes or essential nature and it involves a process of defining what is meant by the term music. Many authorities have suggested definitions, but defining music turns out to be more difficult than might first be imagined, and there is ongoing debate.
The term 'minimal music' is generally used to describe a style of music that developed in America in the late 1960s and 1970s; and that was initially connected with the composers. [201] The minimalism movement originally involved some composers, and other lesser known pioneers included Pauline Oliveros , Phill Niblock , and Richard Maxfield .
These categories are not exhaustive. A music platform, Gracenote, listed more than 2000 music genres (included by those created by ordinary music lovers, who are not involved within the music industry, these being said to be part of a 'folksonomy', i.e. a taxonomy created by non-experts).
Beat, Beat, Beat (1959) by William F. Brown. Beatniks were members of a social movement in the mid-20th century, who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting.
Hippies, punks and other countercultural groups constructed their own nonconformist identities through choices in music, drugs, slang, and appearance. As these styles gained mainstream popularity, they lost their deeper meaning: "the adoption of surface attributes offers the frisson of rebellion without a commitment to a subcultural lifestyle ...
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
Music that makes heavy use of randomness and chance is called aleatoric music, [75] and is associated with contemporary composers active in the 20th century, such as John Cage, Morton Feldman, and Witold Lutosławski. A commonly known example of chance-based music is the sound of wind chimes jingling in a breeze.