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In 1866 Brahms made an arrangement for piano solo of the six-movement version of the Requiem, which he revealed to Clara Schumann at Christmas of that year. [ 9 ] Brahms prepared an alternative version of the full seven-movement work to be performed with piano duet accompaniment, making it an acceptable substitute accompaniment for choir and ...
17–20. piano 1869 D. 366 No. 17 for piano solo is the same Ländler as D. 814 No. 1 for piano duet; #17 in Brahms' set is a piano solo arr. of D. 814 No. 1, though markedly different from Schubert's piano solo version D. 366 No. 17; published 1869 A. deest: Christoph Willibald Gluck: Paride ed Elena: Gavotte in A major (arr. by JB) piano 4-hands
The first movement begins with a statement (F-A ♭-F) which is broadly assumed to represent Brahms' personal motto, frei aber froh (free but happy). Brahms had first developed this motto many years earlier after befriending Hungarian violinist Joseph Joachim, who himself had already adopted a personal motto F-A-E, frei aber einsam (free but lonely).
Madrigal in Memoriam Oleg Kagan, second version for cello solo (1990) Three Fragments for harpsichord (1990) Five Aphorisms for piano (1990) Piano Sonata No. 2 (1990) Cadenzas to Mozart's Piano Concerto in B ♭ major, K. 39 (first and third movements) (1990) For the 90th Birthday of Alfred Schlee for viola solo (1991) Piano Sonata No. 3 (1992)
Then he recast the piano part of Sphere to create Nachstudie for solo piano (1994). In 2002, he wrote Sphäre nach Studie (a new version of Nachstudie ) for harp, two double basses, piano, and percussion, as well as Sphäre um Sphäre (a new version of Sphere ) for two pianos and chamber ensemble.
The primary table features recordings of the standard version with full orchestra. Additional recordings that use either the two-piano and timpani version by Brahms himself or arrangements by other composers are provided in list format below the main table.
The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on a theme from George Frideric Handel's Harpsichord Suite No. 1 in B ♭ major, HWV 434.
D 610, Trio in E major for piano, to be regarded as the lost son of a minuet (1818, this Trio might have been intended for the Minuet in C ♯ minor, D 600; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)
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