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A German Requiem, to Words of the Holy Scriptures, Op. 45 (German: Ein deutsches Requiem, nach Worten der heiligen Schrift) by Johannes Brahms, is a large-scale work for chorus, orchestra, and soprano and baritone soloists, composed between 1865 and 1868.
The first movement begins with a statement (F-A ♭-F) which is broadly assumed to represent Brahms' personal motto, frei aber froh (free but happy). Brahms had first developed this motto many years earlier after befriending Hungarian violinist Joseph Joachim, who himself had already adopted a personal motto F-A-E, frei aber einsam (free but lonely).
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The second movement closes by way of a 54-measure orchestral section with a C pedal tone and the chorus intermittently repeating the last line of Hölderlin's poem. The addition of E ♮ s starting in measure 364 predicts the coming modulation to C major for the final movement. The third movement, marked Adagio, is in C major and returns to ...
The primary table features recordings of the standard version with full orchestra. Additional recordings that use either the two-piano and timpani version by Brahms himself or arrangements by other composers are provided in list format below the main table.
Vier ernste Gesänge (Four Serious Songs), Op. 121, is a cycle of four songs for bass and piano by Johannes Brahms. As in his Ein deutsches Requiem , the texts are compiled from the Luther Bible . Three songs deal with death and the transience of life, while the fourth has an outlook of faith, hope and charity .
The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on a theme from George Frideric Handel's Harpsichord Suite No. 1 in B ♭ major, HWV 434.
This last movement is notable as a rare example of a symphonic passacaglia, which is similar to a chaconne with the slight difference that the subject can appear in more voices than the bass. For the repeating theme, Brahms adapted the chaconne theme in the closing movement of Johann Sebastian Bach 's cantata , Nach dir, Herr, verlanget mich ...
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