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The album was re-released in a remastered edition in 2007 as part of a Robert Plant remaster series, with the live version of "Rockin' at Midnight" (previously released on the 12-inch single version of the studio recording) included as a bonus track. Plant and Ertegun discussed the possibility of doing another Honeydrippers album, but with the ...
In 1949, they were joined by older brother Buddy Trenier (December 11, 1913 – March 15, 1999), and started to be billed as "The Rockin' Rollin' Treniers". [2] They played a form of music intermediate between swing and early rock and roll. Though their sound is more swing influenced, the Treniers incorporated a thumping backbeat and several ...
Taylor was one of the most requested session saxophone players in New York recording studios in the 1950s. [2] He also replaced Count Basie as the house bandleader on Alan Freed's radio series, Camel Rock 'n Roll Dance Party, on CBS. Taylor played the saxophone solo on Turner's "Shake, Rattle and Roll".
The man’s name is Tim, or Timmy, Cappello, and at age 68 he’s still baring his biceps, blowing that sax, and rocking the heavy-metal neck-chains. Of course, they’re not the same chains from ...
Lord Rockingham's XI was a group of British session musicians, led by Harry Robinson (1932–1996), who had a No. 1 hit on the UK Singles Chart in 1958 with "Hoots Mon". [1] [7] [8]
He was born in Bastrop, a suburb of Austin, Texas, and studied trumpet in school, changing to saxophone later. As a teen he began emulating a touring band by buying a red suit with white pants. One night in 1941 a saxophone player did not show for a gig with the band and Houston took his place.
President-Elect Donald Trump’s controversial Secretary of Defense nominee Pete Hegseth is a war veteran, double Ivy Leaguer, a two-time Bronze Star recipient – and is covered in tattoos.
The band soon added a horn section, recruiting saxophone player Paul "Apollo 9" O'Beirne. [6] They developed a reputation for their creative and energetic live shows, taking unusual measures to encourage audience participation such as handing out homemade lyric booklets and noisemakers. [ 6 ]