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Tolkien's drawing of ranalinque, the Quenya name for his invented "moon-grass", in a style reminiscent of Art Nouveau.He professed himself fascinated by plant forms. [1]The plants in Middle-earth, the fictional continent in the world devised by J. R. R. Tolkien, are a mixture of real plant species with fictional ones.
Part I: "Tolkien as Lexicographer" describes Tolkien's work as an Assistant Editor on the dictionary. He would sort through the raw materials—slips of paper containing examples of the use of words from documents covering many centuries—and disentangle the development of different shades of meaning over time.
Primeval forest: sunlight streaming through undisturbed beech trees. Tolkien makes use of wild nature in the form of forests in Middle-earth, from the Trollshaws and Mirkwood in The Hobbit, reappearing in The Lord of the Rings, to the Old Forest, Lothlórien, and Fangorn forest which each occupy whole chapters of The Lord of the Rings, not to mention the great forests of Beleriand and Valinor ...
Tolkien stated that he wanted to create a mythology evocative of England, not of Italy. Scholars have noted aspects of his work, such as the plants of Ithilien, which are clearly Mediterranean but not specifically classical. Tolkien's fiction was brought to a new audience by Peter Jackson's film version of The Lord of the Rings.
Tolkien's Radagast, with his affinity for animals, knowledge of herbs, and shape-changing abilities, has been compared to a shaman. [1] Altai shaman pictured.. Unfinished Tales explains that Radagast, like the other Wizards, came from Valinor around the year 1000 of the Third Age of Middle-earth and was one of the angelic Maiar.
Artist's impression of a stand of J. R. R. Tolkien's "mythical" and "magical" Mallorn trees . In a 1955 letter to his publisher, Tolkien wrote "I am (obviously) much in love with plants and above all trees, and always have been; and I find human mistreatment of them as hard to bear as some find ill-treatment of animals".
Among the many influences of philology on his Middle-earth writings, Tolkien's visit to the temple of Nodens at a place called "Dwarf's Hill" and the subsequent philological study of an inscription with a curse upon a ring that he conducted, may have been seminal, inspiring his Dwarves, Mines of Moria, Rings of Power, and Celebrimbor "Silver-Hand", an Elven-smith who contributed to Moria's ...
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements like hope and ...