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Printable version; In other projects ... Pages in category "Ballets based on fairy tales" The following 8 pages are in this category, out of 8 total. ... (ballet) The ...
Nilsa: A scout fairy who dies of disbelief in Fairy Dust and the Quest for the Egg. Nollie: A brunette, cute, grateful animal-talent fairy. Olwen: A young garden fairy who loves planting seeds and looks up to Tinker Bell and Queen Clarion. Pell: A harvest-talent fairy and Pluck's best friend (they look like twins).
A Fairy Tale or A Magic Tale (French: Un Conte de fées), a ballet fantastique, was a ballet in one act choreographed by Marius Petipa to music by (?) Richter. [1]The ballet was first presented as an examination piece by students of the Imperial Ballet School on April 4/16 (Julian/Gregorian calendar dates), 1891, in the theatre of the Imperial Ballet School, St. Petersburg, Russia.
Cinderella happily thanks the Good Fairy, at a wave of whose hand a brilliant cortège appears. Servant-fairies assist Cinderella in completing her toilette for the ball and putting on magnificent slippers. The Fairy, when Cinderella is properly dressed, gives her a lesson in deportment and hurries her off, reminding her of the condition she set.
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In Russia, the concept of fairy-tale spectacle merged with narrative ballet to create the ballet-féerie ("fairy ballet"). [25] This form took its name from the French genre and its dance characteristics from the Italian ballo grande style. It was often considered a lower-class, more commercialized entertainment than traditional ballet; many ...
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
The ballet's focus was on the two main conflicting forces of good (the Lilac Fairy) and evil ; each has a leitmotif representing them, which run through the entire ballet, serving as an important thread to the underlying plot. Act III of the work, however, takes a complete break from the two motifs and instead places focus on the individual ...
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