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Charlotte Elliott (18 March 1789 – 22 September 1871) was an English evangelical Anglican [1] poet, hymn writer, and editor. She is best known by two hymns, "Just As I Am" and "Thy will be done". [2] Elliott edited Christian Remembrancer Pocket Book (1834–1859) and The Invalid's Hymn book, 6th edition, 1854. [2]
Chisholm wrote over 1,200 sacred poems over his lifetime, many of which appeared in various Christian periodicals, and he served as an editor of The Pentecostal Herald in Louisville for a period. [9] In 1923, Chisholm wrote the poem " Great Is Thy Faithfulness " which he submitted to William M. Runyan who was affiliated with the Moody Bible ...
Jesus Christ the Apple Tree (also known as Apple Tree and, in its early publications, as Christ Compared to an Apple-tree) is a poem, possibly intended for use as a carol, written in the 18th century. It has been set to music by a number of composers, including Jeremiah Ingalls (1764–1838), Elizabeth Poston (1905–1987) and John Rutter.
Christian poetry is any poetry that contains Christian teachings, themes, or references. The influence of Christianity on poetry has been great in any area that Christianity has taken hold. Christian poems often directly reference the Bible, while others provide allegory.
Four miles north, in the family Pengelley Cemetery, lies the philanthropist and author of this great masterpiece, written at Port Hope, 1857. The composer of the music, Charles C. Converse, was a well-educated versatile and successful Christian, whose talents ranged from law to professional music.
Christian soldiers all, hear our Leader's call: F.J. Crosby: 1103: Onward, O Junior Endeav'rers: F.J. Crosby: 1106: Oh, help me tell the story: Edward Shiras: 1108: Our Christian Band: With cheerful songs and hymns of praise: Lyman G. Cuyler* 1112: Work and Pray: Let us work and pray together: Julia Sterling* 1118: This is our Endeavour
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The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...