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"Don't Open Till Doomsday" is an episode of the original The Outer Limits television show. It first aired on 20 January 1964, during the first season. It first aired on 20 January 1964, during the first season.
Using a machine that can manipulate time, they review the same murder scene over and over again. Phobos One, however, is unable to resist the opportunity to tamper with time. Episode star Barry Morse says that this was a pilot for a proposed science-fiction comedy series that was subsequently broadcast as an Outer Limits episode.
He then ties the other end around the brake lever so that the truck's brakes will engage the moment the time warp ends. (It was, by that time, moving at 10 mph.) With no time to spare, they hurry back to the crash site and assume their original positions. When time catches up the seatbelt pulls the emergency brake, stopping the truck.
The Outer Limits is an American television series that was broadcast on ABC from September 16, 1963, to January 16, 1965, at 7:30 PM Eastern Time on Mondays. It is often compared to The Twilight Zone , but with a greater emphasis on science fiction stories (rather than stories of fantasy or the supernatural ).
"The Galaxy Being" is the first episode of the original The Outer Limits television series, originally broadcast on September 16, 1963. In it, Allan Maxwell, an engineer for a small radio station, somehow makes contact with a peaceful alien creature – the "Galaxy Being" – who is then transported to Earth by accident.
"A Stitch in Time" is an episode of the television series The Outer Limits. It first aired on 14 January 1996 and was the first episode of the second season. Amanda Plummer won an Emmy for her appearance in this episode. This episode is also mentioned in the clip show from season six entitled "Final Appeal" and in the clip show "Better Luck ...
"ZZZZZ" was shot entirely on a massive interior set, including the two-story mockup of Ben's house and the full garden constructed by Jack Poplin and his team on Soundstage#4 at KTTV. (source - The Outer Limits: The Official Companion (1986), page 197.)
Bruce Bennett in a review of Outer Limits cited "The Forms of Things Unknown" as a standout episode, describing the screenplay as a blending "Clouzot's Diabolique, James Whale's The Old Dark House, and Stefano's own Psycho screenplay into a hypnotic 51-minute neo-gothic psychodrama pitched somewhere between a fairy tale and a stag film." [3]