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The origins of the Palaiologos family are unclear. According to several later oral traditions, the family had originated in Italy, supposedly in the city of Viterbo. [12] As per this version, the family name Palaiologos (Palaios logos, lit. "old word") was a Greek translation of vetus verbum, a dubious etymology of Viterbo.
Arms of Andronikos II Palaiologos, located in the now demolished sea walls of Constantinople, sketched by Mary Adelaide Walker in the 19th century. [ 58 ] Another very Western design could be found on one of the now-demolished towers of the seaward walls of Constantinople , which had been restored by Andronikos II Palaiologos (r. 1282–1328 ...
The House of Palaeologus-Montferrat or Palaiologos-Montferrat, or just Palaeologus or Paleologo, was an Italian noble family and a cadet branch of the Palaiologos dynasty, the last ruling family of the Byzantine Empire. The cadet branch was created in 1306 when Theodore Palaiologos, fourth son of Byzantine Emperor Andronikos II Palaiologos ...
The only preserved illustration of a coat of arms of the Paleologi of Pesaro is the depiction of one on the tombstone of Theodore Paleologus in Landulph, Cornwall. Theodore's coat of arms prominently displays a double-headed eagle, harkening back to the old emperors, but also incorporates two towers, the meaning of which is unknown.
John V Palaiologos or Palaeologus (Greek: Ἰωάννης Παλαιολόγος, Iōánnēs Palaiológos; 18 June 1332 – 16 February 1391) was Byzantine emperor from 1341 to 1391, with interruptions. His long reign was marked by constant civil war, the spread of the Black Death and several military defeats to the Ottoman Turks, who rose as ...
The Serbian cross (Serbian: Cрпски крст, romanized: Srpski krst), also known as the Firesteels (Serbian: Оцила, romanized: Ocila), is one of national symbols of Serbia. It is present on the coat of arms and flag of Serbia. The cross is based on a tetragrammic cross emblem of the Palaiologos dynasty of the Byzantine Empire, with ...
Heraldry developed in the High Middle Ages based on earlier traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient art (specifically the style of Scythian art as it developed from c. the 7th century BC).
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