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In a number of languages, including most varieties of English, the phoneme /l/ becomes velarized ("dark l") in certain contexts. By contrast, the non-velarized form is the "clear l" (also known as: "light l"), which occurs before and between vowels in certain English standards. [1] Some languages have only clear l. [2]
The symbol [ɬ] is called "belted l" and is distinct from "l with tilde", [ɫ], which transcribes a different sound – the velarized (or pharynɡealized) alveolar lateral approximant, often called "dark L". [1] Some scholars also posit the voiceless alveolar lateral approximant distinct from the fricative. [2]
A common example of a velarized consonant is the velarized alveolar lateral approximant (or "dark L"). In some accents of English, such as Received Pronunciation and arguably General American English, the phoneme /l/ has "dark" and "light" allophones: the "dark", velarized allophone [ɫ] appears in syllable coda position (e.g. in full), while the "light", non-velarized allophone [l] appears in ...
The space-opera franchise Star Wars also depicts Light and Dark aspects in the form of the fictional energy field called The Force where there are two sides, light side and dark side wherein the protagonists, the Jedi, practice and propagate the use of the former, and the antagonists, the Sith, use the latter.
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms.
The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...
Dark romanticism: A style within Romanticism. Finds man inherently sinful and self-destructive and nature a dark, mysterious force E. T. A. Hoffmann, Ludwig Tieck, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Edwin Arlington Robinson: Lake Poets: A group of Romantic poets from the English Lake District who wrote about nature and the ...
The 19th-century fantastique literature after 1830 was dominated by the influence of E. T. A. Hoffmann, and then by that of Edgar Allan Poe. French authors such as Jules Barbey d'Aurevilly, Charles Baudelaire, Paul Verlaine and Arthur Rimbaud echoed the dark themes found in the German and English literature. Baudelaire was one of the first ...