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Chamber music: 1918: Lullaby: for viola and piano: Oxford University Press Chamber music: 1919: Sonata: for viola (or cello) and piano: Chester Music DaCapo Press Hildegard Publishing Chamber music: 1921: Chinese Puzzle: for violin (or viola) and piano: Oxford University Press Chamber music: 1921, 1925: Chinese Puzzle: for flute, violin, viola ...
Nevertheless, all songs and dances included in this series are based on folk music from many Eastern Europe countries, but harmonic and rhythmic freedom is evident throughout the whole piece. In 1936, Bartók arranged 6 of these duos for piano, under the title Petite Suite .
for violin, cello and piano: Op. 15; revised 1857, B. 104 Chamber music: 1:105: 116: 1876: Smyčcový kvartet č. 1 „Z mého života“ String Quartet No.1 "From My Life" (Aus meinem Leben) E minor: for 2 violins, viola and cello Chamber music: 1:118: 128: 1879–1880: Z domoviny: From My Homeland (Aus der Heimat), 2 Pieces: A major G minor ...
Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra Arvo Pärt : Tabula Rasa for 2 violins, prepared piano and string orchestra Marta Ptaszynska : Concerto Grosso for 2 violins and chamber orchestra (1996.)
Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Sérénade en sourdine, for violin and cello (c.1899) Andante religioso, for two cellos and organ (1900) Pastorale, menuet triste et nocturne, for violin and piano, four hands (1900) Wind Septet, for flute, oboe, cor anglais, clarinet, bassoon, horn and piano (1900) Impromptu concertant in G-flat major, for violin and piano (1903)
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In the final section, Schumann references the main theme from her husband Robert Schumann's first violin sonata. [6] The second romance is more syncopated, with many embellishments. It is sometimes considered as representative of all three, with energetic leaps and arpeggios, followed by a second theme and then a return to the first theme. [ 7 ]