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Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
It is proven by the frequency of Minang songs being played on radio channels RRI Jakarta and others. The liveliness of the Minang music industry in the second half of the 20th century was caused by the large number of music studios owned by Minang entrepreneurs. In addition, the large demand for Minang songs by overseas communities is a factor ...
The Songs of Joy (watercolor circa 1896–1902 by James Tissot) Song of the Sea from a Sefer Torah. The Song of the Sea (Hebrew: שירת הים, Shirat HaYam; also known as Az Yashir Moshe and Song of Moses, or Mi Chamocha) is a poem that appears in the Book of Exodus of the Hebrew Bible, at Exodus 15:1–18. It is followed in verses 20 and 21 ...
Traditional Minangkabau music includes saluang jo dendang, which consists of singing to the accompaniment of a saluang bamboo flute and talempong gong-chime music. Dances include the tari piring (plate dance), tari payung (umbrella dance), tari indang (also known as endang or badindin ), and tari pasambahan .
The Music of the Waters: A collection of the sailors' chanties, or working songs of the sea, of all maritime nations. Boatmen's, fishermen's, and rowing songs, and water legends Laura Alexandrine Smith (1861–1902) [ 1 ] was an English musician, [ 2 ] ethnomusicologist [ 3 ] and one of the earliest collectors of sea shanties. [ 4 ]
One of the most famous singers of the Noongar peoples was a Mineng man, Nebinyan, who had worked many years as a hand on a whaling ship in the coastal waters of the Indian Ocean and the Great Australian Bight, and lived to achieve distinction as a singer of the narrative songs he wove around his experiences.
Sea song or sea-song may refer to: a sea song (genre) , a sailor's song — when expressly working songs, they are often sea shanties (a shipboard song-type which flourished in the Age of Sail's 19th century to the 20th century's first half).
Saluang players use a circular breathing technique to play, which means they can play a song from beginning to end without stopping. Minangkabau people believe that talang which is collected from rack of clothes dryer or found drifting in the river is a good material for making saluang. [ 2 ]