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The poem uses the image of a flowering plant - specifically that of a chasmophyte rooted in the wall of the wishing well - as a source of inspiration for mystical/metaphysical speculation [1] and is one of multiple poems where Tennyson touches upon the topic of the relationships between God, nature, and human life.
The text of the poem reflects the thoughts of a lone wagon driver (the narrator), on the night of the winter solstice, "the darkest evening of the year", pausing at dusk in his travel to watch snow falling in the woods. It ends with him reminding himself that, despite the loveliness of the view, "I have promises to keep, / And miles to go ...
"Life's a climb. But the view is great." There are times when things seemingly go to plan, and there are other moments when nothing works out. During those instances, you might feel lost.
[1] [2] [3] The poem, in twelve lines of rhyming couplets of iambic tetrameter verse, describes what Kilmer perceives as the inability of art created by humankind to replicate the beauty achieved by nature. Kilmer is most remembered for "Trees", which has been the subject of frequent parodies and references in popular culture.
In writing this poem, Frost was inspired by his childhood experience with swinging on birches, which was a popular game for children in rural areas of New England during the time. Frost's own children were avid "birch swingers", as demonstrated by a selection from his daughter Lesley's journal: "On the way home, i climbed up a high birch and ...
The poem asks you to analyze your life, to question whether every decision you made was for the greater good, and to learn and accept the decisions you have made in your life. One Answer to the Question would be simply to value the fact that you had the opportunity to live. Another interpretation is that the poem gives a deep image of suffering.
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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...