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Alma-Tadema's birth house and statue in Dronryp, Netherlands. Alma-Tadema was born on 8 January 1836 in the village of Dronryp in the province of Friesland in the north of the Netherlands. [2] The surname Tadema is an old Frisian patronymic, meaning 'son of Tade', while the names Lourens and Alma came from his godfather. [3]
Laurence Alma-Tadema CBE (August 1865 – 12 March 1940), born Laurense Tadema, was a British writer of the late 19th and early 20th centuries who worked in many genres. [ 1 ] Early life
A Reading from Homer (sometimes Listening to Homer) is an oil-on-canvas painting executed in 1885 by the English artist Lawrence Alma-Tadema.It depicts an imaginary festival scene from ancient Greece with youth reading poetry to a small audience on a marble balcony overlooking the sea.
Alma-Tadema accurately recreates on his canvas the events recounted by Plutarch, in his book Moralia: "At the time when usurpers from Phocis seized the sanctuary of Delphi and the Thebans declared the so-called sacred war on them, the women in the service of Dionysus, who are called the maenads, in a trance and wandering at night, did not ...
Tepidarium in the Forum Thermae at Pompeii. The tepidarium was the warm (tepidus) bathroom of the Roman baths heated by a hypocaust or underfloor heating system. The speciality of a tepidarium is the pleasant feeling of constant radiant heat, which directly affects the human body from the walls and floor.
The Inundation of The Biesbosch in 1421 by Lawrence Alma-Tadema. According to legend, the water carried away a baby along with its crib and a cat. After the flood receded, people ventured out to assess the survivors. They spotted a cradle floating on the water and prepared for the worst: the chances of the baby surviving seemed slim.
Alma-Tadema was an archaeologist as well as a painter, who attended historical sites and collected artifacts he later used in his paintings: Godward, too, studied such details as architecture and dress, in order to ensure that his works bore the stamp of authenticity.
The location, with tiers of white marble seating, is based on the Theatre of Dionysus in Athens, but Alma-Tadema replaced the original inscribed names of Athenians with the names of Sappho's friends. In the background, the Aegean Sea can be seen through some trees.