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Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. [1] Imagism has been termed "a succession of creative moments" rather than a continuous or sustained period of development.
The period 1909 to 1913 saw the emergence of Imagism, the first consciously avant garde movement in 20th century English-language poetry. Pound, who was Imagism's prime mover, served as foreign editor of Harriet Monroe's magazine Poetry. In October 1912, he submitted three poems each by H.D. and Richard Aldington under the label Imagiste ...
(Wall poem in The Hague) "This Is Just to Say" (1934) is an imagist poem [1] by William Carlos Williams. The three-versed, 28-word poem is an apology about eating the reader's plums. The poem was written as if it were a note left on a kitchen table. It has been widely pastiched. [2] [3]
"In a Station of the Metro" is an Imagist poem by Ezra Pound published in April 1913 [1] in the literary magazine Poetry. [2] In the poem, Pound describes a moment in the underground metro station in Paris in 1912; he suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation".
His most anthologized poem is "The Red Wheelbarrow", an example of the Imagist movement's style and principles (see also "This Is Just to Say"). However, Williams, like his peer and friend Ezra Pound, had rejected the Imagist movement by the time this poem was published as part of Spring and All in 1923.
In late 1908 Hulme delivered his paper A Lecture on Modern Poetry to the club. Hulme's poems "Autumn" and "A City Sunset", both published in 1909 in a Poets' Club anthology, [12] have the distinction of being the first Imagist poems. [13] A further five poems were published in The New Age in 1912 as The Complete Poetical Works of T. E. Hulme. [14]
Richard Aldington (born Edward Godfree Aldington; 8 July 1892 – 27 July 1962) was an English writer and poet.He was an early associate of the Imagist movement. His 50-year writing career covered poetry, novels, criticism and biography.
Imagism, in the wake of French Symbolism (i.e. vers libre of French Symbolist poets [8]) was the wellspring out of which the main current of Modernism in English flowed. [9] T. S. Eliot later identified this as "the point de repere usually taken as the starting point of modern poetry," [10] as hundreds of poets were led to adopt vers libre as ...
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