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Most publishers permit self-archiving of the postprint version of the author's own chapter (if contributed to only one chapter) or 10% of the total book (if contributed to multiple chapters). [3] The notable exception is Elsevier, which is the largest publisher to not permit chapter archiving under any circumstances.
the authors disclose the existence of the preprint at submission (e.g. in the cover letter) once an article is published, the preprint should link to the published version (typically via DOI ) the preprint should not have been formally peer reviewed
Although publishers’ guidelines for formatting are the most critical resource for authors, [1] style guides are also key references since "virtually all professional editors work closely with one of them in editing a manuscript for publication." [2] Nonetheless, individual publishers' standards always take precedence over style guides. [3]
Though the concept of a "book" is widely defined, this guideline does not provide specific notability criteria for the following types of publications: comic books; graphic novels (although it does apply to manga); magazines; reference works such as dictionaries, thesauruses, encyclopedias, atlases and almanacs; music-specific publications such as instruction and notation books and librettos ...
Still, omitting the authorship criteria by prioritizing hierarchy arguments, is an unethical practice. This kind of practices may hinder free-thinking and professional independence, and thus should be tackled by research managers, clear research guidelines and authors agreements.
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In October 2007, the self-publishing company CreateSpace teamed up with NaNoWriMo to begin offering winners a single free, paperback proof copy of their manuscripts, with the option to use the proof to then sell the novel on Amazon.com. [38] In 2011, CreateSpace offered winners five free, paperback proof copies of their manuscripts. In addition ...
In 2010, Stanford professors Alan Sorenson and Jonah Berger published a study examining the effect on book sales from positive or negative reviews in the New York Times Book Review. [66] [67] They found all books benefited from positive reviews, while popular or well-known authors were negatively impacted by negative reviews.