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Vermeer invents the first machine to dig, transport and replace large trees in the 1960s. The first larger round hay baler was invented by Gary Vermeer in 1971. Allis Chalmers first introduced the small round rotobaler in 1947. Vermeer begins building large trenchers to lay underground pipelines in the 1980s.
In 1972, Gary Vermeer of Pella, Iowa, designed and fabricated a round baler after the design of the A-C Roto-Baler, and the Vermeer Company began selling its model 605 – the first modern round baler. The Vermeer design used belts to compact hay into a cylindrical shape as is seen today. [9]
Girl with a Red Hat is a rather small painting, signed by the Dutch painter Johannes Vermeer.It is seen as one of a number of Vermeer's tronies – depictions of models fancifully dressed that were not (as far as is known) intended to be portraits of specific, identifiable subjects.
The Geographer (Dutch: De geograaf) is a painting created by Dutch artist Johannes Vermeer in 1668–1669, and is now in the collection of the Städel museum in Frankfurt, Germany. It is closely related to Vermeer's The Astronomer, for instance using the same model in the same dress, and has sometimes been considered a pendant painting to it. A ...
Mistress and Maid (c. 1667) by Johannes Vermeer. Mistress and Maid (Dutch: Dame en dienstbode) is an oil-on-canvas painting produced by Johannes Vermeer c. 1667. It portrays two women, a mistress and her maid, as they look over the mistress' letter. The painting displays Vermeer's preference for yellow and blue, female models, and domestic scenes.
Essential Vermeer website pages on the painting; The Milkmaid by Johannes Vermeer, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on the painting; Johannes Vermeer, A Lady Reading a Letter, Colourlex; High resolution image at Google Cultural Institute
The painting was among the large collection of Vermeer works sold on May 16, 1696, from the estate of Jacob Dissius (1653–1695). It is widely believed the collection was originally owned by Dissius' father-in-law, Pieter Claesz van Ruijven of Delft as Vermeer's major patron, then passed down to Ruijven's daughter (1655–1682), who would have left it to Dissius.
In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty balance before a table on which stands an open jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides ...
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